Startsida
Publications 2000-2011 (a selection)
Books
2013 (forthcoming)
(ed.) A Cultural History of the Nordic Avant-Garde, 1950–1975, vol. 3 (Amsterdam and New York: Rodopi, 2012), ed. with Tania Ørum, Benedikt, Hjartarson et al.
(ed). Marjorie Perloff, Essäer i urval (OEI editör), ed. Anders Lundberg, Jonas (J) Magnusson och Jesper Olsson (forthcoming February 2012)
2011
(ed.) Media and Materiality in the Neo-Avantgarde (Peter Lang Verlag), ed. Jonas Ingvarsson och Jesper Olsson (forthcoming 2011)
Remanens, eller bandspelaren som re-pro-du-da-ktionsteknologi (Stockholm: CO-OP editions)
2008
(ed.) Charles Bernstein, De svåra dikterna anfaller. Essäer, poesi, samtal (OEI editör), red. Anders Lundberg, Jonas (J) Magnusson, and Jesper Olsson
2005
Alfabetets användning. Konkret poesi och poetisk artefaktion i svenskt 1960-tal (Stockholm: OEI editör)
Essays and longer reviews
2013 (forthcoming)
“Politics and Play. The Impure Arts of Öyvind Fahlström”, (in A Cultural History of the Nordic Avant-Garde, vol. 3, 1950–1975, Rodopi Editions, 2013)
“Rondo & Gorilla: Magazine & Calendar”, (in A Cultural History of the Nordic Avant-Garde, vol. 3, 1950–1975, Rodopi Editions, 2013)
“Tvångs-Blandaren – Stuff in a Box”, (in A Cultural History of the Nordic Avant-Garde, vol. 3, 1950–1975, Rodopi Editions, 2013)
“Collaborators in Art and Technology: The Case of Billy Klüver”, (in A Cultural History of the Nordic Avant-Garde, vol. 3, 1950–1975, Rodopi Editions, 2013)
“Radiophonic Poetry and a Blind Movie. Öyvind Fahlström’s Art in Sound”, (in A Cultural History of the Nordic Avant-Garde, vol. 3, 1950–1975, Rodopi Editions, 2013)
“The New Monument: Experimental TV and Remediation”, (in A Cultural History of the Nordic Avant-Garde, vol. 3, 1950–1975, Rodopi Editions, 2013)
“Hätila ragulpr på fåtskliaben: Conceiving Concrete Poetry”, (in A Cultural History of the Nordic Avant-Garde, vol. 3, 1950–1975, Rodopi Editions, 2013)
“The Artist on Holiday, or ”L’art pur l’or”, or Some Conceptual Investments of Carl Fredrik Reuterswärd”, (in A Cultural History of the Nordic Avant-Garde, vol. 3, 1950–1975, Rodopi Editions, 2013)
“Concrete Poetry as a Score for Performance: Bengt Emil Johnson’s Gubbdrunkningar”, (in A Cultural History of the Nordic Avant-Garde, vol. 3, 1950–1975, Rodopi Editions, 2013)
“Performativity and Intermedia in Åke Hodell’s Lågsniff”, (in A Cultural History of the Nordic Avant-Garde, vol. 3, 1950–1975, Rodopi Editions, 2013)
”’Barbies for Burroughs’: On Multiples and Subscriptions on Art”, (in A Cultural History of the Nordic Avant-Garde, vol. 3, 1950–1975, Rodopi Editions, 2013)
2012
“Speech Rumblings: Exile, Transnationalism, and the Multilingual Space of Sound Poetry”, in Languages in Exile: Migration and Multilingualism in Twentieth Century Literature (Peter Lang 2012), red. Axel Englund and Anders Olsson (under utg.)
“Avhandlingen som kritisk praktik: andra former, andra medier”, i Tidskrift för litteraturvetenskap, 4, 2012 (under utg.)
“Tillfället gör dikten. Stöld, återbruk och brukstexter i samtida poesi”, i Tidskrift för litteraturvetenskap, 2–3, 2012, s. 138–153.
2011
“A Devious System: The Algorithimic Imagination in Swedish Concrete poetry”, in Poetry Goes Art and Vice Verse. On Concrete Poetry (Bremen: Weserburg Museum, 2011) (forthcoming fall 2011)
“Sfärer, kärlek, inspelningar”, in Divan 3, 2011 (forthcoming fall 2011)
“’Hallå där … nu suckar jag’. Materialitet, performativitet och inspelade röster; exemplet Ekelöf; ett utkast”, in Aiolos (forthcoming fall 2011)
“Stepford Wives and Lingual Music, or Tape Recorder Poetics as Gender Politics in the Early 1970s”, in Media and Materiality in the Neo-Avant-Garde (Peter Lang Verlag, 2011), p. 82–99 (forthcoming fall 2011)
“Massmedia Avant-Garde. Dislocating the Hi/Lo in the Swedish 1960s”, in Regarding the Popular: Modernism, Avant-Garde, and High and Low Culture (Berlin: de Gruyter, 2011) (forthcoming fall 2011)
“Kneaded Language: Concrete poetry and New Media in the Swedish 1960s”, Modernism/Modernity 18.2, 2011 (Johns Hopkins UP), p. 273–288
“’I begynnelsen var översättning’: Om Noigandres o.a.” / “’In the beginning was translation’: On Noigandres etc.”, in Övningar i översättbarhet (Bonniers, 2011), p. 122–134 /124–136
“From Beyond the Grave. The Life and Death of the Avant-Garde”, Nordic Journal of Aesthetics 40, 2010–2011 (Aarhus University Press), p. 153–163
“Orden sänder fjärran”. Telegrafi, litteratur och mediearkeologi”, http://www.drucksache.se/fjarrskrift/rec/fjarrskrift_jesperolsson.pdf
Review of doctoral thesis, Nils Olsson, Konsten att sätta texter i verket, in Samlaren (Uppsala 2010),
“The Audiographic Impulse: Doing Literature with the Tape Recorder”, in Audiobooks, Sound Studies, and Literature (Routledge, 2011), ed. Matthew Rubery, p. 61–75.
“Indexikala inspel: poetisk realism à la Carl Fredrik Reuterswärd”, in OEI # 52, 2011, p. 135–151.
“’Plugging into the Pre-recording’. William S. Burroughs och bandspelaren”, in Kulturo 32, 2011, p. 49–55
2010
“Ny konceptuell poesi”, OEI 51, 2010 (“Supplement”), xix–xxii
“Förlorat och funnet i översättning”, on translation theory, Svenska Dagbladet, 2010-10-24
“Cha iscensatte erfarenheterna av livet i exil”, on Theresa Hak Kyung Cha, Svenska Dagbladet, 2010-09-10
Review of Laura Luise Schultz, Mellem tekst og teater. Skuespillets rolle i Gertrude Steins performative æstetik (Det Humanistiske fakultet, Københavns Universitet 2009), in Tidskrift för litteraturvetenskap 2, 2010, p. 97–99
2009
“SWAPT, or Swedish Audio Poetry Today”, in World New Music Magazine #19, 2009 (ISCM), p. 44–49
Preface, Samuel Beckett, Trilogin (Molloy, Malone dör, Den onämnbare) (Modernista, 2009), p. vii–xii
“’Ask … trre … spole … fem’. Beckett och bandspelaren”, in Ordens negativ (Symposium, 2009), ed. Anders Cullhed et al, p. 241–258
“’Give Jesus Pants’. Om bandspelare och poetisk återvinning”, in Tilltal och svar (Symposium, 2009), ed. Mats Jansson et al, p. 80–89
“Den enda talande maskinen i sitt slag. Anteckningar om röster och bandspelare”, in Ord & Bild 1–2, 2009, p. 114–123
“Fellow earthlings, there’s a spectre haunting the planet”, in Glänta 1, 2009, p. 52–57
“Repetitioner med Lars Norén”, in OEI 42, 2009, p. 65–71
“På spaning efter de ljud som flytt”, review of Sound Souvenirs. Audio Technologies, Memory, and Cultural Practices (Amsterdam UP), Svenska Dagbladet 2009-11-13
“Arkivarbete omvärderar modernismen”, review of Sven Spieker, The Big Archive (MIT Press), Svenska Dagbladet 2009-07-21
“Livs levande i döda poeters sällskap”, on John Ashbery, Svenska Dagbladet 2009-03-12
2008
”Paradisiska signifikanter. Haroldo de Campos essäistik och poesi”, in OEI 39–40, 2009, p. 67–72
”Borderblur med bpNichol”, in Vagant 3, 2008, p. 80–85
“Med örat mot arabisk kassettkultur”, review of Flagg Miller, The Moral Resonance of Arab Media (Harvard UP), Svenska Dagbladet 2008-11-07
“Cages tystnad gav eko inom poesin”, review of Liz Kotz, Words To Be Looked At (MIT Press), Svenska Dagbladet 2008-08-15
“Datorn som poetiskt bollplank”, review of Chris Funkhouser, Prehistoric Digital Poetry, Svenska Dagbladet 2008-05-31
“Om en bok om bilder av läsning”, review of Garrett Stewart, The Look of Reading, Svenska Dagbladet 2008-04-27
”’John Giorno var här’: bandspelare, poesi och redaktionella operationer (spår ur ett pågående arbete)”, in OEI 37–38, 2008, p. 125–137
”Language Poetry”, review of Åsa Arketeg’s doctoral thesis An Aesthetics of Resistance (Uppsala, 2007), in Tidskrift för litteraturvetenskap 1, 2008, p. 101–104
2007
“Trådlös teknik bunden till kulturen”, review of Timothy Campbell, Wireless Writing in the Age of Marconi, Svenska Dagbladet 2007-10-18
Review of Richard Murphy, Theorizing the Avant-Garde, in Nordlit. Journal of Culture and Literature (University of Tromsø, Issue 21, Spring 2007), p. 321–325
“Fysiken möter lyriken i praktiken”, on literature and science, Svenska Dagbladet 2007-04-17
“Nytt ljus över romanens världar”, recview of Sara Danius, The Prose of the World and Milan Kundera, Ridån, in Annex (Axess), Spring 2007, p. 26–29
“Manifest är mera poesi än politik”, review of Martin Puchner, Poetry of the Revolution, Svenska Dagbladet 2007-02-07
2006
“Maskinen människan får dras med sin kropp”, review of Ray Kurzweil, The Singularity is Near, Fredric Jameson, Archaeologies of the Future and N. Katherine Hayles, My Mother was a Computer, in Axess 6, 2006, p. 38–40
”Efter e-boken – eee-boken. En mediehistoria”, in elis eriksson ”100 år av åtlydnader” (Stockholm 2006), s. 77–87
”Warhol och bandspelarens kulturhistoria”, on the tape recorder and art, Svenska Dagbladet 2006-04-20
2005
“Styrman på torra land”, review of Flo Conway and Jim Siegelman, Dark Hero of the Information Age, in Axess 9, 2005, p. 46–47
“Från vaxrulle till fildelning”, review of Mark Coleman, Playback: From the Victrola to Mp3, 100 Years of Music, Machines, and Money, Svenska Dagbladet 2005-09-26
“Fanzinet är tillhåll för dagens filologer”, review of Thomas Steinfeld, Der leidenschaftliche Buchhalter, in Axess 3, 2005, p. 43–44
“Retorikböcker skingrar talmystiken”, review new books on rhetorics, Svenska Dagbladet 2005-01-05
2004
”VISPO … en snabbspolning” (om den visuella poesins historia), in OEI 18–21, 2004
”Is it any wonder I’ll reject your verse”. On Kenneth Goldsmith’s poetry, in OEI 15–17, 2004
2003
”Allegori och artefaktion. Formens politik i Öyvind Fahlströms poesi”, in Allegori, estetik, politik, (Stockholm/Stehag: Symposion förlag 2003), ed. Ulf Olsson och PA Wiktorsson, p. 197–206
”Inte för att minnas” (essä om Gertrude Stein), in OEI 14, 2003, p. 31–34
”Writing Through the Databanks. A Note on Poetry and Technology in the Swedish 1960s”, in dichtung digital 4, 2003 (www.dichtung-digital.de).
2002
”Cracks in the Consensual Hallucination: Swedish Poetry at the Turn of the Millennium” (with Anders Lundberg, and incl. translations of contemporary Swedish poetry by Ann Jäderlund, Lars Mikael Raattamaa, and others), in Boundary2. An International Journal of Literature and Culture, (Duke UP, vol 29, 1, 2002), p. 35–64
”Typewriter, Tape Recorder, and Concrete Poetry”, in Cultural Functions of Intermedial Exploration, (Amsterdam & New York: Rodopi 2002), ed. Erik Hedling & Ulla-Britta Lagerroth, p. 179–188
”’Telegraftråden kom direkt ur blommans sår’. Ett tekniskt spår i Lars Noréns sextiotalspoesi”, in Lyrikvännen 5, 2002, p. 66–77
”Konkret poesi”, in Intermedialitet. Ord, bild och ton i samspel (Lund 2002), ed. Hans Lund, p. 149–156
2001
Review of Anders Olsson, Läsningar av INTET, in Tidskrift för litteraturvetenskap 1, 2001, p. 120–123
2000
”SLPRLNTHGTÄAÄA – röst, skrift och medier i den konkreta poesin”, in Tidskrift för litteraturvetenskap, 1, 2000, p. 28–47
”Links and Lines. The Poetry of Öyvind Fahlström”, (www.fahlstrom.com) (originally a lecture at NYU, New York, Oct. 2000)
Other publications
Since 1991, a large amount of reviews and articles on literature and art in newspapers and journals in the Nordic countries, such as Svenska Dagbladet, GöteborgsPosten, Aftonbladet, BLM, Glänta, Horisont, Lyrikvännen, OEI, Ord & Bild, Vinduet etc.
Conference papers and invited lectures (since 2005)
“Tracking the Acoustic Unconscious: The Tape Recorder and Editorial Poetics”, at Media Acts, Norsis Conference, Trondheim, Oct. 26–28, 2011
“Speech, Teach, Tape: The Editorial Poetics of the Tape Recorder (part 6)”, at Literature Between Media, Hedmark University College, Hamar, Norway, October 5–7, 2011
”’Säg persilja’ – om samtida översättningspoetik”, Symposium: Brasiliansk litteratur på svenska, Bonniers Konsthall, Stockholm, September 28, 2011
“Karta, dammoln, backspegel. Om Italo Calvinos Varför läsa klassikerna”, Italienska Kulturinstitutet, Stockholm, September 26, 2011.
“The Glocality of the Sound Poem: Technology, Transnationalism, and Avant-Garde Art”, at Transfers, Appropriation, and Functions of Avant-Garde in Central and Northern Europe, 1909–1989, Paris, September 23–24, 2011
“A Devious System: The Algorithmic Imagination in Swedish Concrete Poetry”, at “Poesie–Konkret”, Symposium on concrete poetry’s worldwide distribution and diversification, Weserburg Museum/University at Bremen, Bremen, Germany, June 17–18, 2011
“Remanence: Performance. Literature, Tape Recording, and Memory”, at Current Issues in European Cultural Studies”, ACSIS Conference Linköping/Norrköping 15–17 juni, 2011
“’Hallå där… nu suckar jag.’ Inspelade röster, materialitet och performativitet”, Symposium om materialiet, Mittuniversitetet, Härnösand, February 3–4, 2011
“Arkiv(be)grepp: arkivet i estetisk praktik”, Köpenhamns universitet, November 26, 2010
“Mass Media Avant-Garde – Dislocating the Hi/Lo in the Swedish 1960s”, High and Low, Second Bi-Annual Conference of the European Network for Avant-Garde and Modernism Studies, AM Poznan, Polen, September 9–11, 2010
“Knåda språket: Konkret poesi och nya medier i svenskt 1960-tal”, lecture Danskt-svenskt författarsällskap, Malmö, Mar. 24, 2010
“Bandspelaren i litteraturen”, Fakulteten för konstnärlig forskning, Göteborgs universitet, Mar. 10, 2010
“William Burroughs redaktionella poetik”, lecture, Humanistiska föreningen, Stockholms universitet, Feb. 8, 2010
“Collaborators in Art and Technology: The Case of Billy Klüver”, the conference Historizing the Avant-Garde, University of Copenhagen, Denmark, November 19–22, 2009
“Outer Voices: Poetry, Tape Recorders, and Surveillance in the Postwar Period”, the conference Surveillance Societies: What Price Security?, Macaulay Honors College, CUNY, New York, April 24–26, 2009
“The Tape Recorder and Editorial Poetics”, the conference Rethinking the Postproduction of Sound, Dept of Musicology, University of Copenhagen, Mar. 26–27, 2009
“Avlyssning och arkiverade röster: litteraturen och bandspelaren”, guest lecture, Göteborgs universitet, December 17, 2008
“Avlyssning, arkivering, redaktionella operationer: bandspelaren i litteraturen” guset lecture, Linköpings universitet, Nov. 12, 2008
”Conceptual Poetics and Its Questions”, panel paper Conceptual Poetry and Its Others Conference, Poetry Center, Tucson, Arizona, May 29–31, 2008
“Tape Recorder Poetics in Postwar Literature and Art”, lecture, University of California, Davis, May 23, 2008
”Bio-Techno-Poetry: Explorations into Life and Letters”, PCA/ACA Conference, Literature & Science Session, San Francisco, Match 19–22, 2008
”Remediations of the Avant-Garde in Contemporary Nordic Poetry”, SASS Conference, Fairbanks, Alaska, March 13–15, 2008
”The Collage and Tape Recorder Poetics in the 1960s”, MSA 9, Modernist Studies Association: Geographies of Visual and Literary Culture, Long Beach, California, Nov. 1–4, 2007
”Avskrivningar, inspelningar – litteratur och bandspelare” (lecture), Växjö universitet, May 31, 2007
”Avantgardet idag: upprepning, tradition, remediering” (guest lecture), Mittuniversitetet Härnösand, May 15, 2007
”Inspelning, avlyssning: bandspelaren i litteratur, konst och film” (guest lecture), Södertörns högskola/Södertörn University College, Dec. 14, 2006
”Knead the Language, Manipulate the World – Swedish Concrete poetry in the 1960s”, From Concrete Poetry to Digital Poetry, Nordic Network of Avant-Garde Studies / Georg Brandes School, University of Copenhagen, Nov. 9–10, 2006
”Rondo, Gorilla, OEI – The Poetics and Politics of Editing in Three Swedish Literary Magazines”, Little Magazines Conference, Nordic Network of Avant-Garde Studies, University of Copenhagen, September 22–23, 2006
”Avantgardets tradition och remediering”, keynote lecture, The Helsinki Poetics Conference 2006: Tradition and Transformation, Helsingfors, Aug. 22, 2006
”Informationens form: Manovich, mediehistorien och de estetiska praktikerna” (guest lecture), Högskolan för fotografi/ University College of Photography, Göteborg, May 31, 2006
”Borborygm, glottis, larynx: om ljudpoesins kropp”, Bodies Arts Crossroads. The Body and Intermediality. The 7th NorSIS Conference, Växjö University, Oct. 27–30, 2005
”Bildens språk, litteraturens materialitet” (guest lectures), Konsthögskolan, Umeå, Oct. 10–11, 2005
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marie.ekstrom.lorentzon@liu.se
Last updated: Wed Apr 03 13:11:07 CEST 2013
